ABOUT US

OUR MISSION

To create space for collaboration, empowerment and the joyful celebration of community using movement and ensemble theater traditions, imaginative play, and aerial arts to help people of all abilities discover their potential, encourage perseverance and embrace their humanity.

The ETC School encourages physical confidence, freedom, and grace in a creative, non-competitive atmosphere. Students of all ages and abilities develop strength, balance, flexibility, and creativity while working with others to explore the intersection of circus, movement, and storytelling. We support a faculty of teaching artists, who cultivate their students’ abilities, model through performance and are life-long learners themselves. Our faculty and youth performance groups create unique, professional performances aimed at bridging generational and cultural gaps while celebrating the collective potential of all people.

ECHO'S HISTORY

In 2013, Echo Theater Company assumed management of the historic Echo Theater from DoJump, maintaining what has become an important hub of arts and culture in the iconic Hawthorne District of Portland. Executive Director, Wendy Cohen, and Creative Manager, Aaron Wheeler-Kay, are former Do Jump! Performers and have worked in this unique hybrid of performance styles for a combined 40 years.

Photo by Casey Campbell

THE BUTTEYES

The ButtEyes emerged in a youth company rehearsal in 2012-13. We brought out a selection of skirts for students to explore spinning on trapeze. One of the students, a 10 year old named Clara Hogan, got into a downward facing dog shape with the skirt over her and just her rear end poking through the top of the skirt. As she scuttled around the theater, Wendy and I realized how funny this costume could be with a couple of google eyes affixed to the buns of the operator. In this moment of playful, silly exploration, entirely disconnected from the curriculum at hand, the now familiar ButtEye was born.

The ButtEye costume was completed by the addition of eyes supplied by the Portland Juggling Festival, which donated two large boxes of diabolos to Echo. Almost all of the diabolos were broken, so we began disassembling them and realized how ideal the two cups would be as eyes.

The ButtEyes premiered that Spring in a show titled Into Books, which included three short stories. One of these, “Tess On An Alien Planet” featured the ButtEyes in their stage premier.

The ButtEyes represent how innovation, looking at things differently , and providing space for silliness and exploration, and upcycling can all come together to make the world more magical and quirky.

Photo by Jaidin @mosspaw_photography

LAND ACKNOWLEDGMENT

This land has a story, and holds the stories of all who have lived on it. We recognize we are on the stolen land of the Cowlitz, Clackamas, Kathlamet, Multnomah, Tualatin, and the other Tribal Nations who were the original stewards of this land.

Despite centuries of colonial theft and violence, we are fortunate that this area is rich with descendants, who preserve cultural practices and continue to demonstrate talents and gifts amidst the backdrop of systemic oppression.

Meet the Team

LEADERSHIP

Wendy Cohen

Executive Director

BOARD OF DIRECTORS

Helen Kalk

President

Marnie Glickman

Director

Tyne Morrell-Wilson

Vice President

Joe Eichenauer

Treasurer

Brianna Kalk

Secretary

Liv Allison

Youth Representative

PRODUCTION & CREATIVE

Aaron Wheeler-Kay

Creative Director

Hannah Raschke

House Manager

Emme Worthy

Technical Coordinator

Nelly Pitts

Production Coordinator

ADMINISTRATIVE STAFF

Sequoia Allen

Program Manager,
Echo West

Destiny Thompson

Program Manager,
Echo Theater

Emma Christensen

Human Resources Manager

Josie Mae

Outreach Manager

Nico Ransdell

Front Office Coordinator,
Echo Theater

Hannah Raschke

Front Office Coordinator,
Echo West

Clare Hill

Front Office Coordinator,
Echo Theater

Amy Stewart

Marketing Coordinator

TESTIMONIALS
  • “Most of all, I remember how Echo Theater taught me to pursue what I love, and reassured me that the pursuit of love would be met with a warm, enthusiastic community of supporters and mentors who believed in my success.”

  • “Echo became a safe space for me to explore new possibilities and ideas through physical movement collaboration, and ensemble work with others. I was provided the space and guidance I needed to find my own voice. Letting go of my fear of failure was one of the most freeing things I have done in my life.”